Uzbekistan Snowboarding & Snow-skiing

Skiing & freeriding program in Uzbekistan. Sketch itinerary winter 2016-2017

Chimgan-Beldersay is the main skiing area in Uzbekistan, which is located in the mountains of Western Tien-Shan (90 km far from Tashkent). Chimgan in the best way approaches for family leisure with children, Beldersay is more appropriate for skilled skiers and snowboarders.

There are two double-chair ski lifts and some hoop lifts in Chimgan and Beldersay (5 km from Chimgan).

Ski slopes and avalanche danger areas in Chimgan ski resort
Ski slopes and avalanche danger areas in Chimgan ski resort
size – 1543×1028. 580 kb

Sketch itinerary winter 2016-2017

e-mail: your.climberca@ya.ru
Telegram +7771 467-41-93
WhatsApp / Viber +7966 065-53-44

Day 01. Arrival in Tashkent. Meeting at the airport, transfer in Chimgan. Arrangements with an accommodation. If the time allows – ski-tracks of Chimgan. The length of the chair lift road in Chimgan – 800 m. Overfall of heights – 385 m. Length of the rope-tow – 570 m. Overfall of heights – 250 m. Chimgan has several routes and type of complexities, a ski-track for beginning skiers, extended up to 1500 m has a rope-tow lift, considered as “blue” tracks long, flat, and easy. The ski-track for slalom is extended up to 900 m and equipped with chair lift and classified as a “red” track of mid level difficulty.

Day 02. Acquaintance with the area, an ascent to the Western Ridge of Chimgan, and then descent downwards, vertical drop
– 600 m. Start at height of 2350 m. It will be possible to do it two times during the day. Return by car to hotel.

Day 03. Transfer in Beldersay. Highest point – 2880 m. Length of the ski-track – 3017 m. Overfall of heights – 765 m. Average bias of the ski-track – 27. Maximal bias – 52.1. Extension of the chair-lift – 2250 m. Overfall of heights – 565m. Extension of the rope-tow – 700m. Overfall of heights – 200m. Ski-tracks of Beldersay basically are intended for skilled mountain skiers, but there are also good conditions for beginners. The peculiarity of local climate creates extreme temperatures and plentiful snowfalls which promote a high-quality snow cover. Descents are carried out from mountain Kumbel, which slopes in area of skiing have smoothed relief (steepness up to 30 degrees) without deep gorges and canyons. Archa and the deciduous woods grow on slopes alternating with open glades. Going up to the top of Kumbel mountain is carried out by chair lift road (length 2250 m) and further proceeds on rope-tow lift (length 700m). Ski-tracks for mass riding are laid out along the rope-tow and chair lifts. Free descents begin from the west side of Kumbel mountain directly from a crest of a ridge and come to an end in a vein of stream of Beldersay. Width of slopes for free descents up to 1 km, length of descents up to 5 km.

For the experienced backcountry skiers we offer to descent towards the Chet-Kumbel pass, then lift back to the Kumbel Peak, vertical drop is 600 m. It is possible to make two descents during the day. Return to hotel in Chimgan.

Day 04.Climbing to the top of Greater Chimgan. Spending night at summit in tent.

Or transfer to Beldersay, lifting on ski-lift to the Kumbel Peak, then traverse to the Maygashkan peak, descent to Beldersay village. Vertical drop – 800 m. Return back to hotel by car.

Day 05. Descent from the summit of Greater Chimgan (3309 m.) via Central couloir.
Or ascent to the Smaller Chimgan peak and then descent towards the Charvak Lake. (Or, subject to the snow conditions, repeat the most exciting element of previous days). Night in hotel.

Day 06. Repeat the most exciting element of previous days. Transfer to Tashkent train station. Leave for Bukhara by the night train.

Day 07.
07.00 Meeting at the Kagan train station. Transfer to Bukhara. A breakfast in hotel;
09.00 Excursion across Bukhara;
19.00 Transfer to train station;
20.50 Train to Samarkand.

Day 08.
01.40 Arrival in Samarkand. A meeting at train station, transfer to hotel.
10.00. Excursion across Samarkand.
17.30. Transfer to the train station.
18.00 Train to Tashkent.
20.00 Arrival in Tashkent, meeting at train station, transfer in the airport.
End of the program

The cost includes:
All meetings, seeng-offs and transfers on a route.
Service of a professional guide.
Accommodation in guest house in Chimgan (or hotel on your choice). Registration.
Railway tickets for a train (compartment) Tashkent – Bukhara, Bukhara – Samarkand.
Railway tickets for «Аfrosiab» train Samarkand – Tashkent.
Service of guides in Samarkand and Bukhara.
Car with the driver during excursion in Samarkand.
Breakfast in Bukhara and Samarkand (and in Chimgan at place of residence).
Food, gas during climb to Greater Chimgan summit.

The cost does not include:
A food in Chimgan and in the cities.
Skipass/Lift charge in Chimgan and Beldersay.
Entrance tickets for excursion objects in Samarkand and Bukhara.
Rent of ski/board, tent, sleeping bag and personal gears and wearing.

Price.
2 pax:
550 USD – accommodation in guest house.
630 USD – accommodation in hotel (Standard room).
3 pax:
455 USD – accommodation in guest house.
635 USD – accommodation in hotel (Junior suite room).
4 pax:
485 USD – accommodation in guest house.
600 USD – accommodation in hotel (Standard room).

Local peculiarities of Snowboarding & Snow-skiing in Uzbekistan Mountains

Uzbekistan Mountains near to Tashkent

Chimgan Mountains

The Chimgan Mountains are invariably attractive for mountaineers. The wide variety of Chimgan and its surroundings allows the activity in all kinds of mountaineering and landscape tourism. Mountains  (Small and Greater Chimgan Peaks – 3,309 m) of Chatkal range, plateaus, the Black Waterfall (40 m) at the lower part of Greater Chimgan Peak, Gulkam and Novotasha waterfalls, attract a lot of tourists from Uzbekistan and abroad.

Uzbekistan Snowboarding and Snow-skiing  Uzbekistan Snowboarding and Snow-skiing Uzbekistan Snowboarding and Snow-skiing

Heli-skiing. Uzbekistan has the advantage over the other regions of Heli-skiing on the territory of the former USSR (Kyrgyzstan, Kazakhstan, Caucasus, Altay, and Camchatka) because of sunny, warm and fine stable weather.

Heli-skiers make descends from summits of Ugam, Pskem and Chatkal mountain ranges (on the altitude 3000-4000 m.). The amplitude of descends 1,3 – 2 km; the length of the descending 5-10 km. Usually heli-skiers make 4-6 descends per day. The flight time from the hotel to the landing place 5-30 min. Tourists are accompanied with 2 guides. Each tourist must have his own special equipment (ski, beacons, first-aid medical set). Helicopter grounds are located near the hotel. The best time for skiing – late January – March.

We provide guides for all kinds of skiing and snowboarding. By preliminary inquiry we can arrange descents outside of the route by a virgin snow (backcountry) accompanied by our skilled guides.

 

Uzbekistan Snowboarding and Snow-skiing Uzbekistan Snowboarding and Snow-skiing Uzbekistan Snowboarding and Snow-skiing


Reference:


http://climberca.com/index.php/65-uzbekistan-snowboarding-snow-skiing

Registan in Samarkand

Registan in Samarkand is the monument of town-planning art of Central Asia of 15-17 centuries. It is the city square ensemble, during the rule of
Timurid dynasty it was the main square of Samarkand. The development of existing ensemble was started in 17-th century. Registan includes three madrasahs with the rich mosaic decor, carved ceramic and marble decor. From the west the Ulugh Beg Madrasah is located (1417-20; 2 minarets were straightened in 1932, 1965). From the east, in the town-planning technique, which called ‘Kosh’ (that means – in mirror reflexion) with the Ulugh Beg Madrasah, – the Sher-Dor Madrasah (‘The Tigers having’: 1619-1635/36, architect Abdul-Dzhabbar, paintings Mohammed Abbas Samarkandi, main restorations 1926, 1961). And from the north – the Tilya-Kori Madrasah (“Gilded”; 1646/47-1659/60; main restorations 1939, 1970-75).


Three Madrasahs of Registan in Samarkand are outstanding architectural monuments not only in the Central Asia, but also in the World architecture. The most refined of them is the Ulugh Beg Madrasah. It has embodied the architectural forms and methods, which have grown on the basis of ancient traditions of the Central Asian architecture, at the same time enriched by variety of achievements of the building technics and art of the adjacent countries. One can see there remarkable decorative glazed tilework, both in exterior and in interior of the building.

Source: https://pagetour.org/samarkand/Registan.htm

Gur Emir Mausoleum in Samarkand

The Gur-Emir-Mausoleum (Persian گور امیر; Uzbek Go’ri Amir, from gur, “grave”, and the Emir, “sovereign”, “ruler”) in the Uzbek city
Samarkand is the tomb of Tamerlane, some members of his family and other persons in the environment of the ruler, including
Ulugh BegShah Rukh and Mir Said Berke – the teacher of Tamerlane.

It was built in 1403/04 and is regarded as the finest example of art of building of the Timurid’s epoch, with its azure ribbed dome on a high Tambour.

It occupies an important place in the history of Persian-Mongolian Architecture as the precursor and model for later great Mughal architecture tombs, including Humayun’s Tomb in Delhi and
the Taj Mahal in Agra, built by Timur’s descendants, the ruling Mughal dynasty of North India.

History

Initial part of the complex was built at the end of the 14-th century to the orders of Muhammad Sultan Tamerlane’s heir apparent and his beloved grandson. The construction of mausoleum (Qubba) itself began in 1403 after the sudden death of Muhammad Sultan. The Mausoleum was completed before Timur’s death on 14-th February 1405, so it must be either end of 1404, or the beginning of 1405. His own resting place, Timur had prepared in his home city Schahr-i Sabs near to his Ak-Saray palace. However, when Timur died in 1405 on campaign on his military expedition to China, the passes to Shahrisabz were snowed in, so he was buried here instead. Later Ulugh Beg, another grandson of Tamerlane, had completed the complex in whole. Under the aegis of Ulugh Beg in 1434
Ivans and minarets was built. During his reign the mausoleum became the family crypt of the Timurid Dynasty.

Unfortunately, since the end of 17-th century the long period of decline of Samarkand has begun. The city has lost the status of capital which has been transferred to Bukhara. The great Silk Road bypassed the city, meanwhile great historical monuments stood empty and forgotten. Only after the Second World War extensive restoration work in Gur-Emir has begun. In the 1950s the dome, main portal and minarets were refurbished. By that time majolica tiles mostly fell away. The 1970s, was followed by the restoration of the interior. Neither the Madrasah nor the Khanaka of initial Muhammad Sultan’s complex were reconstructed. With the resurgence of the interest to Tamerlane after the founding of the Republic of Uzbekistan in 1991 it intensified the care of his places of worship.

In 1740, king Nader Shah of the Afsharid Empire tired to carry away Tamerlane’s sarcophagus. Nader idolized Timur. He imitated Timur’s military prowess and, later in his reign, Timur’s cruelty, but
in the process of removal the sarcophagus broke in two. This was interpreted as a bad omen. His advisers urged him to leave the stone to its rightful place. Tamerlane’s tomb was opened shortly before the German Invasion into the Soviet Union, although the inscription on his tomb threatens great misfortune to any of his rest breaker. Exhumation of Timur in 1941 was made under the direction of Soviet scientist and anthropologist Mikhail Mikhaylovich Gerasimov who was able to reconstruct Tamerlane’s facial features from his skull, and it was also confirmed that he was 172 cm in height and would have walked with a pronounced limp. Also it is rumoured that Soviet Union won a victory in the Battle of Stalingrad owing to the re-burial of Timur’s bones, according to Muslim rites in 1942.

Architecture

All the extensions of Ulugh Beg’s time are attributed to the architect Muhammad ibn Mahmud from Isfahan. Through the main portal (Ivan) of 12,07 m height one can enter in courtyard. On the right on the courtyard once the Khanaka, and on the left the Madrasah were located. Now only remnants of the foundations of these former buildings exist.

The courtyard measures are 29.5 x 30.4 m. Across the courtyard contrariwise the main portal one can see the second Ivan with the Pischtak of 11.8 m high, which framed the real entrance into Mausoleum together with decorated arcade-walls that adjoined to the Pishtak from the left and the right.

At present time only two of four minarets rise a bit behind at flanks of the second Pishtak. The entrance portals of Gur-Emir Ensemble are richly decorated with carved bricks and various mosaics.

Outwardly the Mausoleum itself is a one-cupola building. It is famous for its simplicity of construction and for its solemn monumentality of appearance. It is an octahedral building crowned by an azure fluted dome. The exterior decoration of the walls consists of the blue, light-blue and white tiles organized into geometrical and epigraphic ornaments against a background of terracotta bricks. The dome (diameter – 15 m, height – 12.5 m ) is of a bright blue color with deep rosettes and white spots. Heavy ribbed fluting gives an amazing expressiveness to the cupola.

Inwardly the mausoleum appears as a large, high chamber with deep niches at the sides and diverse decoration. The interior of the mausoleum has a square plan enlarged with four niches that created a cross-shaped space. One can see that the internal dome is neither by the form nor by the height corresponds to the dome from outside. Reason for this is that between inner ceiling and outer cupola is the hollow space.

The interior is lavishly decorated. The lower part of the walls covered by onyx slabs composed as one panel. Each of these slabs is decorated with refined paintings. Above the panel there is a marble stalactite cornice. Large expanses of the walls are decorated with painted plaster; the arches and the internal dome are ornamented by high-relief papier-mache cartouches, gilded and painted.

The ornate carved headstones in the inner room of the mausoleum merely indicate the location of the actual tombs in a crypt directly underneath the main chamber.

Under Ulugh Beg’s government a solid block of dark green jade was placed over the grave of Tamerlane. Formerly this stone had been used at a place of worship in the Chinese emperor’s palace, then as the throne of Duwa (a descendant of Genghis Khan) in Chagatay Khanate. Next to Tamerlane’s grave lie the marble tombstones of his sons Miran Shah and Shah Rukh and also of grandsons – Muhammad Sultan and Ulugh Beg. Tamerlane’s spiritual teacher Mir Said Baraka, also rests here.

The way to the actual burial place, under the main chamber, passes not via the doorway-ivan, but is vented on one side of the gallery.

Nearby monuments

Some consider the Gur-e Amir (Gur Emir), Ruhabad mausoleum and Aksaray mausoleum as a combined ensemble because of their closeness.

Ruhabad (14th c.) is a small mausoleum and is said to contain a hair of Prophet Muhammad. The one storey madrasah now accommodates craftsmens’ shops. There is a functioning mosque next door to the madrasah. All three combine into one
good-looking shape.

The Aksaray mausoleum (15th c.), unrestored, located on a quiet street behind Gur-e Amir (Gur Emir).

Reference: https://pagetour.org/samarkand/Gur-Emir.htm

The mosque Bibi Khanym (Persian: مسجد بیبی خانم; Uzbek: Bibixonim Masjidi; Russian: Мечеть Бибиханым; German: Bibi Khanum Moshee; also: … Khanom / Hanum/ Chanym / Hanim, etc.) is one of the most important monuments of Samarkand. In the 15th century it was one of the largest and most magnificent mosques in the Islamic world. By the mid-20th century only a grandiose ruin of it was survived, but now major parts of the mosque have been restored.

Origin and Meaning

Bibi Khanym Mosque was built between 1399 and 1404 by order of the Central Asian ruler
Timur (Tamerlane). Previously Timur had expanded his power in several successful campaigns from Syria to India and had risen to become the most powerful ruler of the Islamic world. The construction of the new Friday Mosque (Great Mosque) in Timurs’s capital Samarkand is probable the claim to put the sign of his power in political and religious life of vast region of Asia.

Though Timur personally monitored and corrected the construction of the building, it was not quite completed until his death in 1405.

Soon after the building became a huge place of worship, it began to collapse and fall into ruin. The original impulse of its creator was perhaps too impertinent, as he attempted to accomplish what was at the time an almost unreal architectural idea. But perhaps there was a more deep reason of its collapse. It is commonly known that rulers often build temples in an attempt to please God. The Bibi-Khanym might have been intended as a huge thank-offering by the Emperor Timur after his successful Indian campaign. Or was it perhaps built in atonement for his many sins? The capture of Delhi was remarkable for its excessive cruelty. When Tamerlane over-ran India, he left a trail of carnage all the way to Delhi, where he reduced the city to rubble and massacred 100,000 inhabitants. The truth will always remain a mystery. At least it looks as if God rejected the bloody offering, whatever kind it was.

To the true story of origin of the mosque was later implicated a romantic legend in which Bibi Khanym, the favorite wife of Timur, is presented as a builder of.

 

Architecture

The mosque follows the basic type of the courtyard mosque. Its outer walls enclose a rectangular area which measures 167 by 109 m and runs along roughly from northeast to southwest – the
Qibla accordingly. However the size of the site vacant of covered galleries was only 78 by 64 meters.

One who enters the Mosque from the northeast through the vast, about 40 m high, parade portal gets in the courtyard. A monumental dome above square base, around 40 m high, rises on the opposite site of the courtyard. The dome is the largest cupola of the mosque. Nevertheless, the dome cannot be seen from the courtyard, for whole building is covered up from inside by the grandiose pischtak, which framed a monumental, deeply embedded Iwan. The Iwan does not allow getting inside the underlying construction supporting the dome; this can only be done from the sides. Two other domes associated with the Iwans, more modest in their size, are facing at the center of the long sides of the courtyard. Thereby, the Bibi Khonym Mosque implements the classic Persian-Islamic architectural type of the “Four-Iwan scheme”.

Into the perimeter of the courtyard in former time there were open galleries of 7.2 m high. Their cover was formed from the juxtaposition of many small, flat brick vaults and domes supported by a forest of more than 400 marble columns and buttresses. Today, only hints of the galleries can be seen.

Four minarets at their outer corners of the site are already restored. Four other, more majestic minarets that flanked the Portal arch of the entrance and the Pischtak of the main domed building are not completed yet.

In the middle of the courtyard is located the stone pedestal – the huge Quran stand from ornate marble blocks, this remarkable sight is also from the time of Timur..

The huge BIbi Khonym Mosque with its three domed rooms, the covered galleries and the open courtyard was intended to gather the entire male population of Samarkand city for the joint Friday prayers.

Artistic design

In the construction of three domes of Bibi-Khanym mosque, sophisticated in Timur’s time, one important innovation was applied, it is Two-fold construction, where the internal dome hall neither by the form nor by height corresponds to the dome’s shape from outside. Reason for this is that between inner ceiling and outer cupola is the hollow space. This dome construction allowed main hall of the mosque to be committed to the proportions and the aesthetics of the 30 m high interior above the mihrab, meanwhile 40 m high outer dome of the main building could be designed towards maximal impression and visibility. This scheme was applied also to the lateral dome structures that allowed making modest buildings the figuration tower-like structures with elegant melon-shaped and longitudinally ribbed outer domes. When construction was completed in 1404 it gripped minds of many poets. The Bibi-Khanym was compared to the beauty and brilliance of the Milky Way. Unfortunately the beauty of interior in Bibi-Khonym mosque is almost completely lost, however one can get an idea of how it might
look like by visiting the Gur-Emir mausoleum, where was used same technique.

In the decoration of the Bibi-Khinym Mosque all the traditions of Central Asia and Persia and even architectural ideas from India were used. One can see there elements of mural incrustation, decorative marble panels, stucco decorations and mural painting. Especially glazed ceramics can be found here in all of its forms such as the turquoise large main dome, the geometric mosaic of large wall surfaces, the multicolored ceramic to the frames of the arches and the ribs of the side domes; the delicate mosaic of countless interwoven by arabesques, elegant Thuluth font frieze on the cobalt blue and ornate gold faience on the drum under the great dome.

The interior of the dome rooms still shows traces of colored Al-secco painting and decorative elements made of paper mache, decorated with gold leaf and also blue – the latter an invention of that time. Also the some elements of the encrusted marble pedestal have been preserved.

Fate and current state

When Timur had returned from his military campaign in 1404 the mosque was almost completed. However Timur was not happy with the progress of construction, therefore he had immediately made various changes, especially concerning the main cupola.

From the beginning of the construction, problems of statistical regularity of the structure revealed themselves. Various reconstructions and reinforcements were undertaken in order to save the mosque. However, after few years the first bricks had begun to fall out of the huge dome over the mihrab. It forced
Timur to retaliate often beyond the structural rules. His builders were certainly aware of that, however he didn’t want to accept their opinion and reality.

Late 16th century the Abdullah Khan II (Abdollah Khan Ozbeg) (1533/4-1598), who was the last Shaybanid Dynasty Khan of
Bukhara, from 1583 until his death, had cancelled all restoration works in Bibi Khonym Mosque. [8] After that, the mosque came down and became a ruins gnawing at the wind, weather and earthquakes. The inner arch of the portal construction was collapsed in 1897. During the centuries the ruins were plundered by the inhabitants of Samarkand in search of building material especially the brick of masonry galleries along with the marble columns.

In the 20th century the ruins of the Mosque Bibi Khanym still impressed those visiting the city with its huge dimensions and still recognizable precious refinements. A first basic investigation and securing the ruins was made in Soviet times. Late 20-th century the Uzbek government began with the restoration of three dome buildings and the Main portal. The decoration of domes and facades was extensively restored and supplemented. Work on the mosque restoration last up till now.

Name

It is unclear when the name Bibi Khanym Mosque arose. In the Middle Ages the Mosque only as great mosque or Friday mosque was mentioned.

Historically, Bibi Khanym (خانم بیبی, Persian: Madam Bibi) has not been used as the name of a wife of Timur. In Persian Bibi is also more of a general honorific name with the meaning of highly respected woman, particularly as respectful form of address for the paternal grandmother.

But Bibi Khanym Mosque has a nexus to Timur’s principal wife Sarai-Molk Khanym. While Timur was years in his military campaigns, his wife (was already an elderly lady) was most probably overseeing the work on the mosque, the most important new development of capital. What is certain is that under the
aegis of Sarai-Molk Khanym directly opposite the mosque Bibi Khanym one in the same time a madrasah had been built. [12] Only one dome structure of former madrasah has remained today, which has been mistakenly handed down by fame as the mausoleum of Bibi Khanym.

Reference: https://pagetour.org/samarkand/Bibi-Khonym.htm

Central Asia is one of the 10 best places travellers should visit now.

A visit to Central Asia is a trip back in time, according to Rahman.

“This area is steeped in antiquity, with a lasting legacy from ancient warriors and emperors,” she says.

“Some of the oldest cities in the world are found here such as the legendary Samarkand, Bukhara and Khiva, each one boasting a glorious architectural legacy.”

The most popular destinations in this patchwork of countries include Uzbekistan and Turkmenistan, both rich in historic sites. Be aware that facilities tend towards the simple end of the scale. Further afield lie the wild mountain landscapes of Kyrgyzstan and Tajikistan, and Kazakhstan, where the capital city, Astana, is filled with hyper-modern architecture.

NEED TO KNOW Both men and women should dress conservatively. Shaking hands is only acceptable between men.

INSIDER TIP Border crossings can be lengthy and challenging; travelling with an experienced operator can make this easier.


Uzbekistan tours

Uzbekistan is a country with an ancient history and the
culture having more than 25 centuries, with legendary fantastic
Samarkand,
Bukhara,
Khiva cities. Uzbekistan is:- oriental hospitality and goodwill, exotic, abundance of noisy and
picturesque markets;

– warm stable weather-10 months a year;

hotels,
restaurants, night bars with national colour and European level of
service;

– fine opportunities for
active rest in mountains and desert.

Alongside with excursion program you will be able to:

– visit the dramatized historical ceremonies and folklore shows;

– take pleasure with oriental dances in former Khans harem;

– learn to prepare original Uzbek pilaw and round bread;

– weave carpets;

– make a jug in a workshop of the potter;

– pass through picturesque desert on baktrian camel back;

– ride on graceful akhaltekin horses;

– swim and to fish in huge lakes surrounded by sands;

– reach inaccessible mountains on helicopter and to lead picnic on mountain
river side;

– spend the night in traditional nomads abodes – yurtas;

– listen to local akyn songs at a fire under extraordinary bright oriental
constellations;

– visit exotic national-sports and holidays wrestling, horse wrestling for
goat’s carcass, rams, cocks fighting;

– taste collection wines;

– get original hand-made souvenirs.

The tours can be organized in your own dates / any number of pax, cost &
conditions are available upon request.

Contact us:

+7771 467-41-93 – telegram
+7966 065-53-44 – whatsapp/viber
e-mail: your@climberca.com

More info >>>

Uzbekistan mountains

The mountains of Uzbekistan enter in structure of Tyan-Shan and Alay mountain systems. On territory turn the western spurs of Tyan-Shan and Gissar-Alay mountain system. To south and west they gradually lower and turn to plains.

Internal (tectonic) power of Earth formed folds grown the powerful ranges of mountains.

The mountains and foothills with brook relief, located in east and south-east part of Uzbekistan, where they unite with powerful mountain deep brook massive on territory of Kirgizya and Tadjikistan. Mainly this Ugam, Pskem, Chatkal, Kuramin ranges and their western and south-western spurs, concerning to Western Tyan-Shan system and Turkestan, Zerafshan and Gissar ranges with their continuous on south-western – Babatag and Kugintangtau ranges, concerning to Gissar-Alay system.

Entering on territory of Uzbekistan its spurs formed radiating bundle of mountain chains, constantly less in north-western and south-western directions. The character example is Karjantau, Maygashkan and Surenata ranges in western Tyan-Shan system and Nuratau, Aktau and Kuratau ranges and Karatepa and Ziadin-Zirabulak mountains, being the last of Pamir-Alay.

Entering in Western Tyan-Shan system the mountain ranges (Karjantau, Ugam, Pskem, Chatkal, Kuramin) began from Talass Alatau (on border with Kirgizstan), further as fan radiate from here and continuos to north-east to south-west.

The more high point of Talass Alatau is mountain Manas (4482m). The high point of Chatkal range on territory of Uzbekistan – Greater Chimgan peak (3309 m). Between Chatkal and Kuramin ranges located Akhangaran valley.

The apexes of Western Tyan-Shan covered with snow and glaciers.

The Chatkal and Kuramin ranges border on north with Fergana valley. From east she borders with Fergana range, from south with Alay and Turkestan ranges. To north-west from Turkestan range raises the Malguzar range, to south-west Chumkartau range. Only the north slopes of Chumkartau entering on territory of Uzbekistan. The valley of Sanzar river separate the Malguzar mountains from Nuratau mountains. The weak point in this valley named Tamerlan gates.

The Nuratau mountains stretch on 180 km. Their north slope is steep, the south slope is gently sloping. The high point of North part of Nuratau mountains is Khayatbashi apex (2165 m). The south part of Nuratau mountains consists from separate apexes (Aktau, Karatau, Karagatau, Gabduntau).

On the south and as parallel to Turkestan range located Zarafshan range. With self eastern part he entering on territory of Tadjikistan. On south from Zarafshan range located Gissar range and his south-western spurs (Yakkobag, Surkhantau, Kugikantau, Baysuntau, Chakgarand other). Here located the highest point of Uzbekistan – the Khazret Sultan (4643 m).

In western part of Gissar range are two glaciers – Batirbay and Severcev. On south of Uzbekistan along of border with Tadjikistan located Babatag range. The high point – Zarkasa (2292 m). The main features of orography of Uzbekistan connected with features of geological structure of above-mentioned the mountain systems.

This bond found expression in these, that between mountain ranges located spacious foothill and intermountain depressions, the large from which is Tashkent-Golodnosteppe, Fergana Zarafshan, Kashkadarya and Surkhandarya.


Mountaineering in Uzbekistan

http://climberca.com/index.php/69-mountaineering-in-uzbekistan

Caravanserais of Bukhara

Since ancient times the centres of economic life of cities in the East were inns as well as caravanserais in the middle ages not only bazaars. In fact, bazaars were closely related to the small crafts and retail trade. And wholesale trade would almost entirely be concentrated in caravanserais. Through both of those sale of goods brought via caravan routes would be conducted. What they represented always intrigued the more inquisitive minds of humankind.

Every spring large caravans would depart from Bukhara on a long journey. They went once a year in three main routes, one to Orenburg, the second to Troitsk and the third to Krasnovodsk, and in each of these caravans up to 50 bays would participate accompanied by yatims.
Each caravan would carry a cannon and armed people to guard the caravan. In the head of each caravan was a caravan-bosh elected by the bays. There were three of them: Bukhara. Shafirkan and Kazakh.
In each caravan several hundreds of loaded camels would go. On an assigned date and time they gathered at Samarkand gates on the road as then headed towards Shafirkan where at the house of one of the bays there was a meeting point and beasts of burden waited.
From Karshi, Khisor, Shahrisabz and other locations of the khanate small caravans consisting of 10-15 camels would also make way to Bukhara. They would head for the city, to the municipal serais where they put the natural tax they brought with them – millet, barley, etc.

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Artistic Crafts of Uzbekistan

Ancient traditions of carpet weaving, embroidery, dying of fabrics, jewelry art and chase, plaiting from willow rods, carving and painting on the wood were developing and improving for centuries. In the result the unique art schools had appeared, where each of the craft centers was developing its originality. Rishtan ceramics, Urgut embroidery, Bukhara golden sewing, Margilan satin, Karakalpak and Khorezm jewelry, Chust scull-caps, Pap encrusted knives, Tashkent fettling are widely known.

http://pagetour.org/wp/artistic-crafts-of-uzbekistan/